The Arts in Corrections program was one of the most successful programs in the history of the California Department of Corrections and Rehabilitation. In a 1983 cost benefit study, Professor Larry Brewster, currently on the faculty of the University of San Francisco, demonstrated that participants in the Arts in Corrections program showed a 75% reduction in disciplinary write-ups within six months of joining the program. This is an extraordinary measure of a program’s success.
Arts in Corrections began in 1978 in Santa Cruz County, through the William James Association and the vision of Eloise Smith. Our organization continues to be deeply involved in prison arts, both with CDCR and the Federal Bureau of Prisons, and has a wealth of experienced fine artists available to provide high quality programming.
The realignment of California corrections, which will bring many inmates and convicted felons into the county correctional system on October 1, 2011, is an opportunity to integrate arts programming into the jail system from the outset. Involvement in the arts offers several significant and obvious benefits:
1. The reduction in disciplinary problems can reduce staff time involved in policing and documenting negative behavior.
2. Arts activities in the jails can focus on serving different sectors of the community at large, strengthening ties between the incarcerated and their community.
3. Community service arts projects will state clearly to the community that the goal of the criminal justice system is rehabilitation, and that the community has an important role in that process.
Because the realignment process will begin slowly, an arts program will require little investment at the beginning. With a small investment, it can demonstrate its effectiveness, and create community support for expanding programming as the jail population grows.
Attached you will find descriptions and cost projections for three fine arts classes that I feel would yield excellent results for all concerned.
Jack Bowers, Chair
Board of Directors
jack@williamjamesassociation.org
Three Classes for a Fine Arts Program in Santa Cruz County Jails
1. Oral Poetry Project- This class will be formatted to nurture individual self expression through oral poetry. Participants will be encouraged to develop original poetry using audio recording, as well as writing as formats. If possible, the instructor will be capable of facilitating this process in both English and Spanish. As appropriate, the work will be shared with appropriate parts of the community, e.g., community radio, youth programs.
Costs:
3- 12 week classes, 2 hours/ class, $75.00/class instructor fee $2700.00
Supplies 300.00
Total 3000.00
2. Jail Mural Project- The mural project is conceived as a way of making positive visual statements within the jail environment, to develop images that will contribute to reducing stress in the jail for all concerned. The mural should symbolize through a student generated process images of growth, rehabilitation and community.
Costs:
20 3-hour classes at $100/class $2000.00
Supplies 700.00
Total $2700.00
3. Guitar Building Project- This is a long-term project to develop arts related skills that fit vocational opportunities in the community, as well as provide significant opportunities for community service through building fine guitars for local schools. Two successful guitar building projects were carried out in CDCR in the 1990s, both under the supervision of local luthier and busisnessman Kenny Hill of Hill Guitars. He is enthusiastic about assisting in developing a project that can train woodworkers who can serve in the vibrant local guitar building community. An appropriate beginning would involve locating appropriate woodworking tools, establishing a space and developing an appropriate program concept.
Costs:
80 hours of administrative work @ $20/hr $1600.00
Supplies 500.00
Total $2100.00
Note: Overall administrative costs for the William James Association to carry out a project of this sort would be 20% of the total, and are not included above.
Ronnie Goodman: The Color of Hope
Linocuts, Drawings, & Paintings from San Quentin and Folsom State Prisons
December, 4 – 30, 2010 (Reception: Saturday, December 4th, from 7-11 pm)
Precita Eyes Mural Arts & Visitors Center – 2981 24th Street, San Francisco
I encourage you to come see Ronnie’s extraordinary work and support him as he transitions to life on the outside.
- Laurie Brooks, WJA Director
Ronnie Goodman has created a large body of artwork while doing time at San Quentin and Folsom State Prisons. It has only been a month since his release. Precita Eyes on 24th Street in San Francisco is exhibiting Goodman’s paintings, drawings and linocut prints throughout the month of December. Goodman will be present at Precita Eyes for an opening on Saturday, December 4th, from 7:00 – 11:00 pm.
For most artists in prison the tendency is to create work about life on the outside. But Ronnie Goodman is an exception to this. His work is about life in prison. Sometimes his work is about the beauty that an artistic eye can find in the day to day. Sometimes his work is about the struggles of life in a cage.
Even while in prison Ronnie Goodman was eager to reach out to his community of San Francisco. He remained in touch with Precita Eyes and the San Francisco Bay View newspaper. He also created artwork used by the Coalition on Homelessness and the Western Regional Advocacy Project.
Goodman made his artwork as part of the Arts in Corrections program, which was defunded by the State budget last February, but continues with private funding from individual donors matched by the Marin Community Foundation. He studied with Katya McCulloch’s linocut class and Patrick Maloney’s painting and drawing class and guest printmaker Art Hazelwood at San Quentin in a program overseen by Steve Emrick. He studied with Bill Peterson at Folsom State Prison.
In June of 2010 William James Association received the ChangeMaker Award from San Francisco’s Intersection for the Arts. The Award “celebrates artists and organizations making a profound impact in the world… who inspire collaboration; embrace experimentation, integrity, and evolution; and encourage civic and community exchange and engagement.”
Prison/Culture, published by City Lights in 2010, investigates the culture of incarceration as an integral part of the American experience through a compilation of stunning and often heartrending art by inmates and other artists. It features text about the William James Association and the San Quentin Art Program and images of artwork by San Quentin artists.
Participants in the San Quentin Arts Program have produced anthologies, plays, paintings and prints, as well as musical compositions, which have been rendered for institutional as well as public engagement wherever possible. Working with the Marin Shakespeare Company, San Quentin Theater Arts participants have produced and performed three plays over the past 3 years: Romeo and Juliet (2010), A Midsummer Night’s Dream (2009), and Much Ado About Nothing (2008). In the June 2010 performance, 10 inmates along with 5 other non-inmate actors performed William Shakespeare’s Romeo and Juliet to an audience of approximately 200 hundred other inmates, prison staff and volunteers, news reporters and outside guests.
Brothers in Pen is the name of the creative writing group, the members have produced three anthologies: “Brothers in Pen,” “A Means of Escape,” and “Tragedy, Struggle and Hope,” highlighting the talents, through the written word, of the men of San Quentin. In the latter, Tobias Wolff (This Boy’s Life) contributed the foreword.
The painting and printing classes have produced works of art in a diversity media.
Several prints have been accepted for inclusion in the permanent collection of the Library of Congress, including Blocks Off the Block, a 2010 edition of 35 hand-bound and hand-printed books of original linocut prints. The Tower Book was awarded the blue ribbon at the 2009 Marin County Fair Fine Art Exhibit. A collaborative piece on censorship, “Ill of Rights,” created by SQ printmakers and printed at SF Center for the Book’s ROADWORKS: Steamroller Prints in 2008, was selected for the County Fair Fine Art Exhibit.
In 2009, the Dalai Lama recognized SQ Artist Facilitator Steve Emrick as an Unsung Hero of Compassion. Presented to “individuals who, through their loving kindness and service to others, have made their communities and our world a better place,” Steve received this honor for his lifelong work in providing meaningful arts experiences in correctional facilities.
In 2009, Peter Merts’ Slideshow of the SQ Arts program is featured on Photo Philanthropy – a website dedicated to showcasing photo documentaries. Peter’ beautiful photography offers people from the outside a view into the power and beauty of what is happening in the 20×40 box that is the SQ Art Studio.
Also in 2009, Prominent writers Junot Diaz, Tobias Wolff and renown clown/doctor Patch Adams visited the program to share work and insights.
San Francisco’s Intersection for the Arts is celebrating their 45th Anniversary and are launching a new award that “celebrates artists and organizations making a profound impact in the world.”
The Awards honor two individuals and two organizations who inspire collaboration; embrace experimentation, integrity, and evolution; and encourage civic and community exchange and engagement.
The William James Association has been chosen to receive this prestigious recognition!
The Awards will be presented at Intersection’s 45th Anniversary Gala in their new home in the San Francisco Chronicle Building.
We are thrilled to share this honor with you and I would like to encourage you to come join in this celebration of the work of the William James Association – for it is our artists and generous supporters who bring music, color, shape, form and inspiration to this amazing work of providing art to inmates, at-risk youth, parolees and others living on the edges.
Please let me know if you will join us – I’d love share this honor and celebrate with you!
(Also, I can see about discounted tickets if that will help you to come!)
As you may or may not be aware, Arts in Corrections faces elimination in January. This urgent situation has developed from the current state budget crisis with the California Department of Corrections and Rehabilitation’s response being to layoff staff in education, vocational, substance abuse, and other inmates programs – including the one Artist Facilitator at each prison.
We Need Your Help! - Hearing in Sacramento on TUESDAY, DECEMBER 8!
We need your help – the Artist Facilitator position is critical to continuing arts programming with any consistency and quality and we want to raise our voices to powers-that-be. On Tuesday, December 8 at 1:30 PM, Room 447 of the Capitol Building, the Assembly Budget Subcommittee will hold a hearing on proposed budget cuts to CDCR Education programs, including Arts in Corrections.
During the public testimony portion of the hearing, we will present information in support of preserving Arts in Corrections. Professor Larry Brewster, whose 1983 research work demonstrated the effectiveness of Arts in Corrections, will join us to speak about that research and his recent study of AIC outcomes as well. Whether or not the Legislature chooses to eliminate Arts in Corrections, we feel like it is crucial that they learn what a transformative, cost effective we have.
If you are able, we would greatly appreciate your presence at the hearing. The physical presence of many supporters of Arts in Corrections in the room will add weight to our testimony.
Thank you,
Laurie Brooks, Executive Director
Jack Bowers, Board of Directors Chair
PLEASE Write Letters in Support of Arts in Corrections!
If you are unable to attend the hearing, please take a moment to contact your own legislator and urge them to preserve Arts in Corrections.
You can find out more about our letter writing campaign on a previous post.
On a Brighter Note
Peter Merts’ Slide Show of San Quentin’s Arts In Corrections program is featured on Photo Philanthropy – a new website that is dedicated to showcasing the work of photographers in social change. Kudos to Peter for his beautiful photography that shows off the beauty of what is happening in the 20×40 box that is the San Quentin Art Studio.
An urgent situation has developed from the current state budget crisis with the California Department of Corrections and Rehabilitation’s response being to layoff staff in education, vocational, substance abuse, and other inmates programs – including the one Artist Facilitator at each prison.
We need your help – the Artist Facilitator position is critical to continuing arts programming with any consistency and quality and we want to raise our voices to powers-that-be.
Would you be willing to write a letter against cutting the Institutional Artist Facilitator position and thus the elimination of Arts in Corrections?
Send your letters to:
Laurie Brooks (we want to collect all the letters), Executive Director, William James Association, P.O. Box 1632, Santa Cruz, CA, 95061, laurie@williamjamesassociation.org
Nettie Sabelhaus, Senate Rules and Appointments, State Capitol, Room 420, Sacramento 95614, Nettie.Sabelhaus@sen.ca.gov
Elizabeth Siggins, Chief Deputy Secretary Adult Programs, CA Department of Corrections & Rehabilitation, 1515 S Street, Suite 501S, Sacramento, CA, 95811, elizabeth.siggins@cdcr.ca.gov
Scott Kernan, Undersecretary, California Department of Corrections and Rehabilitation, P.O. Box 942883, Sacramento, CA, A 94283-0001
Matthew Cate, Secretary, California Department of Corrections and Rehabilitation, P.O. Box 942883, Sacramento, CA, A 94283-0001
Write to your Senators and Assemblypersons – find them with you zip code at www.legislature.ca.gov
Please send me copies of what you send and let me know if I can help you in this effort!
Thank you so much for your support,
Laurie Brooks
Director, William James Association
Here’s a great example letter from Judith:
Dear Ms. Sabelhaus:
Given California’s various crises, I realize that every state agency must make massive cuts. I urge you to bring to the legislature’s attention that the CDCR should not cut Arts in Corrections. The program has minuscule cost and vast positive impact.
Arts in Corrections provides a large number of prisoners with programming that teaches transferrable skills, reduces tension, and encourages deep self-reflection and responsibility – all for the cost of the salary of only one low-range state employee. The professional artists who teach through Arts in Corrections either volunteer or are paid through grants given by individuals and non-profits.
I taught through Arts in Corrections in the 1980s when the program was much more fully funded. My Disguised as a Poem: My Years Teaching Poetry at San Quentin is a memoir about this experience (copy enclosed). For the past decade I have spoken nationally about prison and prison arts and so I am able to see – in state after state – the respect with which California’s Arts in Corrections is held.
To lose Arts in Corrections – a program that costs the state virtually nothing – would be to lose a program that positively impacts large numbers of prisoners and one that is a revered model in the field.
Just wanting to share a story from the PBS NewsHour about the power, beauty, and complexity of poetry classes in prison:
Richard Shelton, a poet and professor at the University of Arizona, has been coming into prisons as a volunteer since the early ’70s, when a man on death row wrote to ask for feedback on his poems. In a new memoir, “Crossing the Yard,” Shelton writes of that and many other extraordinary experiences.
Filed under: San Quentin — Laurie Brooks @ 2:27 pm
Peter Merts’ Slide Show of San Quentin’s Arts In Corrections program is featured on Photo Philanthropy – a new website that is dedicated to showcasing the work of photo documentaries. Kudos to Peter for his beautiful photography that shows off the beauty of what is happening in the 20×40 box that is the San Quentin Art Studio. Tip of the hat to Steve Emrick for wrangling the paperwork and administration to bring Peter inside and to the team of artists: Patrick Maloney, Katya McCulloch, Zoe Mullery, Kurt Huget, Ken Arconti, Suraya Keating and Marin Shakespeare Company!
The Prison Arts Project at San Quentin is going strong with activities seven days a week – painting, drawing and printmaking classes, inmate bands, theater, writing workshops and book-binding.
We received a $25,000 challenge grant from the Marin Community Foundation, which means that your donation to support the Prison Arts Project at SQ is doubled.
WJA’s commitment to keeping the arts alive at SQ as a living example of excellence in correctional arts programming and it is paying off:
Michael Franti and Spearhead performed at San Quentin on May 19, 2007. You can see more in an episode of FrantiV or read about it in Leah Garchik’s column in the Chronicle.
Alarm Magazine wrote a long and thoughtful, two-part story about Arts in Corrections at San Quentin.
Marin Independent Journal published an extensive piece about the visual arts program with some very nice photographs of the guys and their artwork.
TOWER BOOK Black/ White [and Read] Designed by Beth Thielen, the Tower Book project is a collaboration between the women of California Rehabilitation Center and the Men of San Quentin and is the first of its kind. The work is currently in the exhibition: “Black/White and Read” which opened at the New York Center for the Book in April, 2007, showed at the San Francisco Center for the Book, last fall, just closed a the Los Angeles Book Arts Center and will open at the Minnesota Center for Book Arts April 2008. More information and pictures are available here.
The creative writing group, aka the San Quentin Nine, has just released their second anthology, Brothers in Pen: A Means of Escape. Their first anthology, Brothers In Pen, released in 2006 is also available on-line.
Congratulations, also, to SQ9 member Kenny Brydon for winning the 2007 PEN.ORG Prison Writing Program honorable mention for fiction with a short story entitled, San Quentin, July 4, 1975.
